The phrase “scurry and production” caught my ear as I continued to listen to Steinbeck’s “Travels with Charley.” In his travels during (I believe) the Fall of 1960, he has just come through Ohio, Michigan, and northern Indiana – through or near cities like Cleveland, Toledo, Flint, South Bend. But he’s in a more pastoral location in northern Michigan where he writes, “I wanted a little time to think about the things I’d seen, the huge factories and plants and the scurry and production.” I guess it beats scurry without production.
But the real reason I was prompted to write was the preceding paragraph where Steinbeck says:
It is the nature of a man as he grows older, a small bridge in time, to protest against change, particularly change for the better. But it is true that we have exchanged corpulence for starvation, and either one will kill us. The lines of change are down. We, or at least I, can have no conception of human life and human thought in a hundred years or fifty years. Perhaps my greatest wisdom is the knowledge that I do not know. The sad ones are those who waste their energy in trying to hold it back, for they can only feel bitterness in loss and no joy in gain.
Bitterness in loss and no joy in gain. I see a lot of that now. I guess that’s part of why I’m always railing against nostalgia. First of all, it’s reverence for things as they never were. But, also, that reverence has a pernicious tendency to blot out joy in the things that are or might be.
Dave H says
Glad to see you’re posting here again. Love Steinbeck – wisdom, indeed.
Thanks.
Doug Masson says
Thanks! I seem to go in fits and spurts. I’m hopeful that the current state of social media will prompt me to be more willing to put even my idle musings up here rather than there (to the extent I feel moved to put them online at all).
Phil says
One of my favorite parts of the book is when he goes to Yellowstone National Park. Since it sounds like you may not be there yet so i won’t spoil it for you. Is does have to do with Charley.
I liked it when he uses Charley to start up conversation with total strangers.